
Two time Grammy nominee and two time Latin Grammy winner Bruce Sugar has worked with many music legends over a 30 year career in Los Angeles. Bruce has engineered and mixed projects for Ringo Starr, Joe Walsh, Ozzy Osbourne, and has recorded everyone from Mick Jagger to Paul McCartney. Recently Bruce has specialized in mixing immersive music in the Atmos format.

Sofía Rei is a vocalist, composer, producer, and educator who fuses South American folk with jazz, pop, classical, and electronic music. She has released seven acclaimed albums and toured extensively worldwide. Her collaborators include John Zorn, Bobby McFerrin, Marc Ribot, Susana Baca, and Geoffrey Keezer, with whom she earned a Grammy nomination. Based in New York since 2005, Rei is a professor at NYU’s Clive Davis Institute. A passionate advocate for South American music, her work reflects a bold exploration of cultural identity and sonic innovation.

Eli Crews works primarily out of his Hudson Valley studio Spillway Sound. He started working professionally in record production in the Bay Area in the late 1990s, later serving as the head engineer at Figure 8 Recording in Brooklyn, NY from 2014-2020. He recorded and/or mixed two Grammy-nominated albums (Laurie Anderson, Tony Trischka), and he was an engineer for the Oscar-nominated score for Everything Everywhere All at Once by the band Son Lux. Other artists he has worked with include Tune-Yards, Gotye, and Wilco guitarist Nels Cline.

Grammy Award-Winner Engineer and Multi-Platinum Producer Snipe Young, coined “The Sauce Man” by Theron “Neff U” Feemster, has either engineered, written, produced for, and/or sound-designed for the likes of Nicki Minaj, Flo Rida, Sofia Reyes, Kendrick Lamar, Ghostface Killah, The Game, Dr. Dre, Beyoncé, Chris Brown, Justin Bieber, Nickelodeon, ABC’s Black-ish, Oceans 8, Fox’s Empire and Star, Eamon, ZZ Ward, Vans, Hoka, and Lincoln.
Think of sound waves like a series of ripples in a pond. If you drop a single pebble into a flat surface of water, it produces a series of waves, radiating outward in a circle. Drop two pebbles in two different locations, and the ripples will both try to radiate in a circle, but when one wave crashes against another, it distorts that wave, causing it to change shape, speed, and direction. This same phenomenon occurs in audio, and is appropriately known as “wave interference”. Wave interference, although a larger issue for speakers than for headphones, is still a major obstacle in high-performance headphone audio.
Audeze has developed a patented technology to combat this interference, which we call the “Fazor™”. Think of Fazors like guides for sound, maneuvering the sound waves out of the drivers in an even and smooth way without interfering with each other. Each Fazor element is placed just outside the magnets that drive the diaphragm, allowing the sound waves out in a more even and parallel direction, reducing interference and diffraction, or scattering of sound waves.

Why bother making the soundwaves smoother? By reducing the resistance to the natural flow of sound waves, Audeze’s Fazor arrays accomplish multiple goals while adding minimal weight and greater performance.
They not only align sound waves for improved midrange clarity, they also allow greater efficiency, and help keep our Fluxor magnets acoustically transparent. This is because they help sound waves pass through the magnet structures unhindered, causing less degradation and interference by the mass of the magnets themselves.
Diffraction of sound off the magnets can cause different frequencies to arrive at different times, which results in changes in phase (essentially the timing of the sound waves relative to each other). With Fazors, sound waves generated by our large planar magnetic diaphragms pass through magnetic structures without disturbance, preserving timing details in the recorded signal. This ultimately results in cleaner sound, greater resolution, and better imaging, as well as allowing the diaphragm to settle faster and with less “ringing.”
Fazors are just a small part of the innovation of Audeze. We constantly strive for improvement to our products, and are always reaching for more. Perhaps Master Bruce Lee said it best: “There are no limits. There are only plateaus, and you must not stay there, you must go beyond them.”